Revisiting ‘The Elephant Man’

It’s more than two years since I blogged on the greatness of Joseph Merrick and John Hurt, two men who helped, in their different ways, to raise awareness of the difficulties faced by those living with an unusual appearance in today’s looks-obsessed world.

I was prompted to look back at that post after Time Out magazine listed a screening of The Elephant Man as one of the ‘great film events’ happening this week in London. The film critic Mark Kermode is to host a screening of this great film at the Phoenix Cinema in Finchley on Friday night. If you haven’t seen the film before, I’d urge you to take ‘time out’ to do so.

The film shows how Joseph Merrick found an advocate in Dr Frederick Treves, played beautifully by Anthony Hopkins. Sadly even 150 years later in today’s so-called sophisticated world people who look different still need those champions. Here at Changing Faces, we hear daily of the tormenting that far too frequently inhibits and diminishes lives – and that’s not helped by the like of Mind Candy’s Moshi Monsters.

Sadly, the point I made in my original blog about ‘elephant man’ being a lazy yet incredibly offensive term applied in the playground, in the street and even on television, hasn’t changed. Just last month, the Daily Mail ran a story with just such a headline, and our Press Office stumble upon other such stories every week.

And it’s not only about the terminology. Today we’ve learned of ‘I’, a forthcoming Indian film in which the main villain has a facial disfigurement. Apparently it’s the most expensive Indian film ever made, and yet they rely not on special effects wizardry, but on disfigurement to make their point. Here’s the trailer.

The day will come when an unusual appearance is no longer a writer or director’s easy way out of having to think about their villainous characters, but we’re clearly not there yet. This new film is due for release this autumn, and we’ll look out for screenings in the UK and do our best to raise awareness of our Face Equality on Film campaign.

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